Tara Sattar
In February of this year, the A-Listers appeared in a left-field direction for their fashion inspiration: Walt Disney. Dresses worn by Brie Larson, Saoirse Ronan and Alicia Vikander all channelled Disney cartoons: Beauty and the Beast, The Little Mermaid and Cinderella.
These references were prophetic.
In the next few months, fashion embraced Disney in a big way. In April, Jungle Book was announced by Kenzo, featuring typically brightly rendered close-ups of Shere Khan.
While in Milan, Gucci’s Alessandro Michele debuted a short-sleeved sweater top in geek chic pastels featuring Donald Duck repeated in Warhol, screen-print style.
Also incoming is Bathing Ape’s continued collaboration with Disney in the form of camo-patterned Mickey Mouse T-shirt prints and Coach’s leatherised Mickey handbags and jackets. “Everything we do starts with our audiences, and we’re seeing huge demand in the fashion space from fans of all ages,” Disney’s vice-president of product development Heather Laing-Obstbaum told the LA Times.
But where does this stipulation come from? While it’s true that our mania with repurposing rudiments from our early days is ever obvious; from our love affair with epoch clothes and Hollywood’s fascination with remakes to gif-filled listicles.
But the line between adult infantilisation and dreamy nostalgia is a fine one. It’s an issue that swirls around man of our personal fashion decisions When fashion labels clinch this imagery, it legitimizes the immoderation of our childish side. When Kate Moss or Azealia Banks in the 212 video wore vintage Mickey Mouse apparel it definitely did, arguably because the vintage element gave the image post-modern nous. In a similar way, Gucci’s throwback sweater succeeds because it is tongue-in-cheek, funny and doesn’t attempt to contemporise a symbol that has become part of the pop-culture furniture.