The Guardian: The world of magic defies rational explanation, but beware dismissing it as nonsense. Like religious experience and poetry, it is a crucial aspect of being human, writes the Dark Materials author.
new exhibition at the Ashmolean Museum in Oxford brings together a multitude of objects and artworks – there’s a “poppet” or rag doll with a stiletto stuck through its face, an amulet containing a human heart, a wisp of “ectoplasm” apparently extruded by a medium in Wales, and too many others to count – from a dark world of nonsense and superstition that we ought to have outgrown a long time ago. At least, that’s how I imagine rationality would view it. I find myself in an awkward position rationality-wise, because my name is listed on the website of the Rationalist Association as a supporter, and at the same time I think this exhibition is full of illuminating things, and the mental world it illustrates is an important – no, an essential part of the life we live. I’d better try to work out what I mean.
I’ll start with William James. In his book The Varieties of Religious Experience (1902), James takes an interesting approach to his subject: he’s not trying to persuade us of the truth of this religion or that, or to unpack some complexities of dogma, or to interpret religious stories for the new 20th century. The book is about what the title says: religious experience – what it feels like to be converted, or to lose one’s faith, or to be in a state of mystical ecstasy, or of existential doubt. James’s examples are drawn from the testimonies of believers and unbelievers alike, and the question of whether there is a God, and whether Jesus Christ is his son, and so forth, is of little interest to James’s main enquiry: only the effects of believing it matter here.
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